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Tweed King

RALPH LAUREN BRITTANY TWEED KING SHAM NIP 175
RALPH LAUREN BRITTANY TWEED KING SHAM NIP 175
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New Ralph Lauren Bedford Hunt Tweed King Pillow Sham
New Ralph Lauren Bedford Hunt Tweed King Pillow Sham
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Ralph Lauren Home Bedford Manor DERBYSHIRE PAXTON TWEED King Pillowcases 195
Ralph Lauren Home Bedford Manor DERBYSHIRE PAXTON TWEED King Pillowcases 195
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Ampersand GREY TWEED Sullivan King Duvet Cover NEW 230 Charcoal
Ampersand GREY TWEED Sullivan King Duvet Cover NEW 230 Charcoal
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New RALPH LAUREN BRITTANY TWEED King Pillow Sham 175
New RALPH LAUREN BRITTANY TWEED King Pillow Sham 175
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TWEED  TAPESTRY MICROSUEDE BEIGE BROWN 7PC COMFORTER  PILLOW SET QUEEN or KING
TWEED TAPESTRY MICROSUEDE BEIGE BROWN 7PC COMFORTER PILLOW SET QUEEN or KING
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RALPH LAUREN BRITTANY TWEED 2 PC KING PILLOW SHAMS NIP
RALPH LAUREN BRITTANY TWEED 2 PC KING PILLOW SHAMS NIP
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RALPH LAUREN BRITTANY TWEED TWO KING PILLOW SHAMS NIP
RALPH LAUREN BRITTANY TWEED TWO KING PILLOW SHAMS NIP
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2 RALPH LAUREN BRITTANY TWEED KING SHAM SHAMS 35000
2 RALPH LAUREN BRITTANY TWEED KING SHAM SHAMS 35000
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RALPH DERBYSHIRE HOUSE PAXTON TWEED 400TC PERCALE KING FITTED SHEET NEW
RALPH DERBYSHIRE HOUSE PAXTON TWEED 400TC PERCALE KING FITTED SHEET NEW
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MICHAEL KORS NOB HILL GREY TWEED 6P KING COMFORTER SET NEW
MICHAEL KORS NOB HILL GREY TWEED 6P KING COMFORTER SET NEW
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Tweed King
Tweed King

Life and Career of Vivienne Westwood

Surveying the life and career of Vivienne Westwood is, as Westwood herself has described it, like trying to get a ship into a bottle, for her story is an extraordinary one. She was a central figure in the London Punk movement in the mid 1970s and has gone from being a subversive shop owner to a pillar of the British fashion establishment. As an independent female in a highly competitive industry she has survived without compromising her ideals. Her vision has at times been at odds with the rest of the fashion world, yet her work has often been prescient. She has provoked outrage, amusement and ultimately respect. Her overriding gift to fashion is a conviction that clothing can change the way people think. She once said: ‘I think that the real link that connects all my clothes is this idea of the heroic'. As a self-taught designer, Westwood has brought an utterly original slant to fashion, and been responsible for many fashion ideas that are now taken for granted. Although her clothes are often revolutionary, she has embraced traditional British fabrics and materials, and made them her own. While her work in the 1980s, post Punk, was wildly eclectic, the dominant theme of the 1990s was historicism. Westwood is ambitious for her craft. She has great faith in fashion as personal propaganda, as mental and physical stimulation, saying ‘clothes can give you a better life'.

Vivienne Westwood was born in Derbyshire in 1941. Her family moved to London when she was a teenager and in 1965 she met art student Malcolm McLaren. Their working relationship lasted from 1970 until 1983, and memorably launched Punk. Fashion became for Westwood ‘a baby I picked up and never put down'. Between 1971 and 1981 the couple ran a shop at 430 Kings Road in London which became the centre of the emerging Punk movement.

In 1982 Women's Wear Daily described London as ‘a teeming fashion market-place buzzing with ideas. They bounce off the streets and out of the prodigious art colleges'. That year Westwood and McLaren launched their second collection, Savage (Spring/Summer 1982), which featured geometric American Indian patterns. Although the balance of Westwood and McLaren's creative partnership was changing, Vivienne still consulted Malcolm. She said at the time: ‘He edits my work, sorts out my story, unscrambles my programming and gives me an avenue of approach'. The third collection, Buffalo (Autumn/Winter 1982–83, also called Nostalgia of Mud, featured sheepskin jackets and big swirling skirts. Westwood exhorted her fans to ‘Take your mother's old brassiere and wear it undisguised over your school jumper and have a muddy face'. Like many of her fashion ideas, the bra worn on the outside was soon picked up by other fashion designers. Westwood was now on the Paris fashion circuit and Buffalo was followed by Punkature (Spring/Summer 1983), a futuristic interpretation of Punk. It introduced the tube skirt, one of Westwood's most successful and commercial designs.

In 1984 Westwood moved briefly to Italy with her new business partner, Carlo D'Amario (today Managing Director of her company) and most of her ‘ready-to-wear' is still produced there today. She designed Hypnos (Spring/Summer 1984) which featured sleek garments made out of synthetic sports fabric in fluorescent pinks and greens, anticipating later trends in sportswear. The Hypnos collection was selected to be shown in Tokyo at Hanae Mori's Best of Five global fashion awards. By the mid 1980s, Westwood's self-taught tailoring skills converged with her increasing interest in British traditional clothing in the humorous Mini-Crini and Harris Tweed collections (Spring/Summer 1985, Autumn/Winter 1987–88) The crini was a short, full skirt with plastic boning, inspired by the 19th-century crinoline and also by a ballet performance which Westwood had seen. She said: ‘Even if you're on a crowded tube, it always springs back after being squashed'. For summer, it was made in printed cotton with polka dots and stripes and teamed with cotton twin sets by the long-established British company John Smedley. The winter version was in bright red Harris Tweed, hand-woven in the Western Isles of Scotland. It was worn with a matching jacket with velvet collar, inspired by the traditional double-breasted children's coat. Westwood said ‘I'm not really trying to be English — you can't avoid it, it's what you've absorbed. I do have fun knowing that I am doing it. I very much enjoy parody and this English sort of lifestyle … and I really am in love with the fabrics'. She has continued to draw international attention to British fabrics, including tartan, throughout her career and was awarded the Queen's Award for Export Achievement in 1998. The Harris Tweed collection also launched the corset, which Karl Lagerfeld described as one of the most important fashion ideas of the 20th century.

About the Author

Can any Psychics out there tell me who the winner will be of tomorrows Melbourne Cup?

1 15246 Shocking (24) 57.0 M Rodd
2 43113 Campanologist (19) 56.0 K McEvoy
3 11111 So You Think (3) 56.0 S Arnold
4 1X512 Zipping (16) 55.5 N Hall
5 4215X Illustrious Blue d (9) 55.0 G Boss
6 891X6 Mr Medici(5) 55.0 D Beadman
7 33344 Shoot Out (17) 55.0 C Brown
8 51111 Americain (12) 54.5 G Mosse
9 519X0 Tokai Trick (4) 54.5 S Fujita
10 X0070 Buccellati (21) 54.0 S King
11 61012 Descarado (1) 54.0 N Rawiller
12 X9812 Harris Tweed (13) 54.0 B Rawiller
13 25525 Manighar (20) 54.0 D Oliver
14 X0858 Master O'Reilly (18) 54.0 V Duric
15 X6703 Monaco Consul (14) 54.0 C Williams
16 12112 Profound Beauty (22) 54.0 P Smullen
17 56407 Zavite (7) 54.0 M Walker
18 12X54 Bauer (2) 53.5 C Munce
19 X1521 Holberg (10) 53.5 F Dettori
20 24131 Precedence th (15) 53.5 B Shinn
21 06406 Red Ruler (8) 53.5 M D Plessis
22 X3312 Linton (23) 52.0 B Prebble
23 28083 Once Were Wild (11) 51.5 J Cassidy
24 13111 Maluckyday (6) 51.0 L Nolen

If your right I'll split my winnings with you!

The psychics are all out of town on vacation, spending their Lottery winnings.

BB King The thrill is gone - played by Pete Behnson - Fender Blues Junior Tweed with PBS mod.

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